When everything is important, Nothing is Important
English Language
Contents of this category are English Language
Four Basic Things in Photography
Apr 16th
In music, we know of seven tones, namely C, D, E, F, G, A, and B. But in photography requires only 4 of them, namely C, D, E, and F. They are Composition, Depth of field, Exposure, and Focus.
1. COMPOSITION
Composition is the regularity of the image in a photograph. There are 3 types of composition in photography, namely Death Center, Rule of the Third, and Negative Space
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Welcome Back!!
Mar 3rd
Now you can access RNC Photograph after about 3 months could not be visited. Along with the reopening of this website, I want to promote a new logo design of RNC Photograph.
New Logo
The old logo still used for the watermark of the photo works. This is the old logo of RNC Photograph.
Old Logo
And here’s an example of the photoworks that has been watermarked.
watermark
Stay learning photography from this website, enjoy it!
Thank you for visiting 
How to Hold the Camera ?
Nov 1st
For the security of the camera, wear the camera strap on your neck as a medal. If the camera strap still too long, wrap some of them on your right wrist. That way, when the rope loose from the neck, the right hand can still keep the camera, so it doesn’t fall. Right hand holding the camera grip, left hand holding the camera while playing a zoom on the lens, if you use the zoom lens. Do not handle or rotate the focus ring unless you are looking for manual focus. If you rotate the focus ring on the auto focus (AF) mode, auto focus facility on the lens will be damaged. When shooting with low shutter speeds, your movement might make the camera shake. That’s fair, because when fully pressed the shutter button, your finger will cause a reaction on camera. If your left hand not holding the reaction, the camera was shaking and the picture becomes out of focus. Hand strength to hold the reaction is different. There are people who can not withstand of the shutter speed 1 / 10 second or slower. But there is also can not withstand shutter speed 1 / 30 second or slower. Especially if the body limp and have not had lunch. Please test your own abilities. Take pictures of any stationary object with different shutter speeds, ranging from 1 / 100 second to 1 second. The camera will usually bring up a warning if the risk of movement on shutter speeds slower than 1 / 60 second. In such conditions, place your left elbow on your chest or your body. Just before pressing the shutter, hold your breath a while, then snap and breathe again. See the results on the LCD screen and zoom the image maximum extent possible. Now you know the shutter speed that you can tolerate to keep the camera not moving. If you think that you should take pictures with very low speed, use a tripod or monopod. If no, find a table, pole, or even your foot as the cantilever of the camera. Poles and walls can also be used to be the back rest.
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Speedlite (Flash)
Sep 6th
Photography is painting with light. So to get a good picture needs a good light source as well. However, the light that there is sometimes not enough to do the photo shoot. Thus, we need a light tool to obtain optimal images. Flash is a tool that provides additional light, either indoor or outdoor. Flash produces a very strong light and very fast flashing.
Numbers printed on the flash body called the Guide Number (GN), is the numbers of strength of flash. The larger the numbers listed so the power light will continue to be big.
The amount of light power with great influence diaphragm aperture. There was a formula for it :
For example, if we use a flash with guide number 28 with the position of shooting seven feet from the object, then the diaphragm, we need the f/4 (28:7 = 4). Whereas if you use the flash guide number 12 with the position of shooting six feet from the object then the diaphragm is needed is f / 2 (12:6 = 2).
Meanwhile, the flash is attached to the camera, mostly the guide number is 12.
thank you for reading..
RNC
Filters
Aug 25th
Light filters in the form of translucent glass (having a flat thickness). Filters installed at the front edge of the lens.
There are several types of filters, including:
- Color Filters :
Filter that consisting of a sheet of color polarisator. - Conversion Filters: Filter consisting of a piece of polarisator with color conversion filter. Used to give a brighter effect.
- Fider Filters : Filter consisting of two linear PL filter are combined into one.
- Circular Polarizing Filters : Filters are used to eliminate reflections from all the shiny surface, adding color saturation and is useful for the color blue sky.
- ND Filter : This filter serves to reduce the power of light
- Nebula Filter : Filter which produces images with the effects of radial rays that had rainbow.
Thank you for reading this article..
Lens Types
Aug 22nd
The lens is part of the door opening for entering light into the camera. The lens collects light from an object and project it into film.
Lens is the important parts of a camera because the lens determines the resulting picture. Either its a good picture or a bad picture. The lens aperture size determines the amount of light entering. If the lens aperture diaphragm is too large, then the light coming in too much so that the resulting picture will be too bright (over-exposure). Conversely, if the lens diaphragm aperture is too small then the light coming in too little so that the resulting picture will be dark (under-exposure).
Lenses are usually written on the strength of the lens opening, as on the camera lens Canon EFS 18-55mm: ‘CANON ZOOM LENS EFS 18-55mm 1:3.5-5.6 IS’. Thus, the mean power of the lens at aperture f/3.5 maximum aperture at 18mm and f/5.6 at 55mm.
The types of lenses in cameras, namely:
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Types of Cameras
Jul 17th
1. View Camera
This camera design is the oldest and simplest construction. The size is relatively large and heavy so it is less practical if used outdoors, often used in a photo studio.
The lens was in the front and groundglass in the rear. Groundglass, besides functioning as a view finder, also serves to put the movies. The film is used for sheet film, namely in the form of film sheets, which vary in size, ie, 10x12cm, 20x25cm.
In the middle part there are fittings made of cloth / paper called ‘below’, folded shape to allow the lens can be moved forwards and backwards in order to image sharpness settings. ‘Below’ connects with groundglass lens, flexible and light resistant.
The advantage of the camera type view camera is a photo-generated images are large and sharp image. This camera is more widely used for the needs of photographers advertising (billboard picture). The famous brand on the type of camera is ‘Lonhof’ and ‘Sinar’
2. Range Finder Camera (RF Camera)
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Canon EF 70-200 F2.8 L IS II USM
Jun 6th
Introduction
The EF 70-200mm F2.8 L IS II USM was announced in January 2010 as a replacement for Canon’s fast image-stabilized telephoto zoom, the EF 70-200mm F2.8 L IS USM, which dates from 2001. With the rapid increase in SLR sensor pixel counts placing lenses’ optical qualities under ever finer scrutiny, the company clearly felt it was time for an update for this professional workhorse, and has revamped the design accordingly. In the process, it claims to have improved almost every aspect of the lens, including the optics, autofocus, image stabilization, and the mechanical design.
The optical formula is suitably complex – 23 elements in 19 groups – and includes no fewer than five ultra-low dispersion (UD) glass elements, plus one made from fluorite, to minimize chromatic aberration. The minimum focus distance has been decreased giving improved maximum magnification, the IS system updated to give a claimed 4 stops of stabilization, and the autofocus system revised to meet the demands of Canon’s latest fast, high-resolution DSLRs such as the EOS-1D Mark IV. The lens is also, as is usual for Canon’s L series optics, fully sealed against dust and water.
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Nikon D3000
Jun 1st
Review based on a production Nikon D3000
There is a temptation amongst those of us that shoot with and test DSLRs for a living to be more than a little dismissive about entry-level cameras like the Nikon D3000. However, first-time DSLR buyers are enormously important to camera manufacturers, and the competition amongst them for a share of the entry-level market is intense. The D60, which is replaced by the D3000, was Nikon’s best-selling DLSR, and it is the success of products like this that drives the development of everything from low-end Coolpix models to the recently announced professional level D3s. But the success of entry-level DSLRs isn’t just good news for camera manufacturers – today’s ‘low end’ offerings are highly specified, powerful tools, which – had they been released a few years ago – would have commanded much higher prices than they do today.
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Canon EOS 550D
May 29th
Less than a year after the launch of the EOS Rebel T1i (500D) comes the latest in Canon’s hugely popular consumer SLR range, the Rebel T2i (EOS 550D). With the 450D and 500D Canon appeared to be pulling away slightly from the real ‘entry level’ (a sector driven almost entirely by price), and the EOS 550D – on paper at least – is no exception, outgunning many of the ‘upper entry level’ and mid range SLRs on the market today in terms of spec. To ensure it doesn’t lose out at the price-sensitive DSLR entry point Canon is once again introducing its new flagship Rebel as a ‘sister’ product to the camera it ostensibly replaces. The EOS 500D (Rebel T1i) will be staying in the range for the rest of 2010 (at, one presumes, a more attractive price point). We would assume that the new model finally spells the end of the line for the current ‘bargain’ Canon, the venerable Rebel XSi (EOS 450D).
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